‘The Love Song of J. Alfred Prufrock’ by T.S. T.S. The setting that Eliot paints, in his economic language, gives us a half-second glance at a world that seems largely unpopulated. Examples of dramatic monologue include Marcel Proust (In Search of Lost Time), Henry James (Portrait of a Lady), Robert Browning (Soliloquy of the Spanish Cloister), and the most infamous of all, James Joyce (Ulysses), for which the term ‘stream of consciousness’ writing was invented. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. Personification can also be found in this piece. Popularity: The Love Song of J. Alfred Prufrock is a dramatic narrative poem by T. S Eliot, first written between 1910-1911 and was published in June 1915 and again in 1917. Also, the line ‘for I have known them all already, known them all’ helps us again to understand the Prufrock is perhaps the most insecure man to ever walk the planet. So how should I presume? An animal at the bottom of the ocean – an inanimate object like a ‘pair of ragged claws’ would not be aware, and therefore would not be insecure, and would not be shy. It is just the trauma of voicing aloud these thoughts that is stopping him. Ads are what helps us bring you premium content! And this, and so much more?— At this point, Prufrock almost seems to have raised his spirits enough to attempt to speak to the women at the center of the poem. This fragmentation can also be applied to the earlier reference to ‘the women’, which are not really described in any way, but are instead considered by the sum of their parts in conversation – they only exist because they are ‘talking of Michelangelo’. By focusing on ‘there will be time to murder and create, / and time for all the works and days of hands / that lift and drop a question on our plate; time for you and time for me, / and time yet for a hundred indecisions’ he actually creates a nervous, hasty, skittering feeling to the poem. The analysis of some of the literary devices is given below. J. Hillis Miller had an interesting point to make about the temporality of Prufrock, and whether or not Prufrock actually manages to make himself go somewhere. It is considered one of the most visceral, emotional poems and remains relevant today, particularly with millennials who are more than a little bit used to these feelings. Eliot, can be summed up in a contemporary review published in The Times Literary Supplement, on the 21st of June 1917. But in pieces. By sea-girls wreathed with seaweed red and brown Literary Analysis A poem in fragments is the manner in which author T.S. Stretched on the floor, here beside you and me. In the story, he is very self-conscious about him getting old and becoming bald. And I have seen the eternal Footman hold my coat, and snicker, After the novels, after the teacups, after the skirts that trail along the floor— One can make their own meaning from the clues that are provided by Eliot’s writing. For example, “But as if a magic lantern threw the nerves in patterns on a screen” and “Streets that follow like a tedious argument / Of insidious intent.”. The title contributes to some themes that Eliot explores that revolve about paralysis and heroic articulations. I should have been a pair of ragged claws Please log in again. Smoothed by long fingers, He revised it over the next couple of years, changing the title to "The Love Song of J. Alfred Prufrock" along the way.First published in the Chicago magazine Poetry in June 1915, "Prufrock" later headlined Eliot's first book of poetry, Prufrock and Other Observations (1917). To say: “I am Lazarus, come from the dead, Of insidious intent When I am pinned and wriggling on the wall, To spit out all the butt-ends of my days and ways? Technical analysis of The Love Song of J. Alfred Prufrock literary devices and the technique of T.S. While it also serves to remind the reader of the setting, this phrase stops the poem in mire. Would it have been worth while Despite the fact that time is rushing in the last stanza, here time has slowed down; nothing has changed, nothing is quick. But as if a magic lantern threw the nerves in patterns on a screen: Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: “That is not it at all, That is not what I meant, at all.”. StudentShare. This means that most of the lines do not follow a specific rhyme scheme or metrical pattern. Therefore, can it be considered that time is only quickening in Prufrock’s head, that his worries are accelerating time in his own head, but not temporally? Like a patient etherized upon a table; I grow old … I grow old … I shall wear the bottoms of my trousers rolled. A brief analysis by an English professor of "The Love Song of J. Alfred Prufrock" by T. S. Eliot. And I have known the eyes already, known them all— He considers himself unworthy of women, as he continues to worry about the reaction of the people. Is it perfume from a dress Through his regret of aging and frustration of unfulfilled desires, the narrator also expresses that the time does not wait for anyone. He could be anywhere, we are not told where he is. What's your thoughts? Would it have been worth while, One can take almost any approach, any assignation of meaning, to J. Prufrock and his world. And in short, I was afraid. Let us go, through certain half-deserted streets, Eliot has also used various literary devices such as metaphors, similes, personification, and irony in this poem. The metaphor has, in a sense, been hollowed out to be replaced by a series of metonyms, and thus it stands as a rhetorical introduction to what follows.” Metonym, according to Terry Eagleton, is the sum of parts – in this poem, the ‘cat’ that is made by the yellow fog is fragmented and ghostly. I have seen them riding seaward on the waves Streets that follow like a tedious argument For I have known them all already, known them all: ‘Prufrock,’ as it is more commonly known, is definitely one of the latter: although initially hated, as can be evidenced by the above comment, it has since gone one to be considered by scholars as to the onset of Modernist poetry, replacing the Romantic and the Georgian rhymes that had dominated Europe, and perhaps one of the most exclusive American methods of writing. After Prufrock and Other Observations, poetry started coming from the city and from the intellect. The Love Song of J. Alfred Prufrock S’io credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. “The Love song of J. Alfred Prufrock” is one of the first major poems by T.S.Eliot. And in the next stanza, time slows down again: ‘In the room the women come and go / Talking of Michelangelo’. In a poem so obsessed with problems of speech and definition, to have failed with words is to have lost the war on the inarticulate: the speaker as heroic Lazarus or Prince Hamlet is suddenly reduced to the stature of an attendant lord.”. Subscribe to our mailing list and get new poetry analysis updates straight to your inbox. The Love Song of J. Alfred Prufrock can be challenging to understand, and readers will have a variety of interpretations of the material. Analysis of T.S. Note again the very same process of fragmentation providing a broken-in society, a patchwork view of humanity that only serves to populate the poem with more emptiness. Lingered upon the pools that stand in drains, Do I dare to eat a peach? Eliot (1888–1965). Arms that lie along a table, or wrap about a shawl. Should say: “That is not what I meant at all; The Love Song of J. Alfred Prufrock - Essay Example. Time for you and time for me, That lift and drop a question on your plate; Once more, there’s the presence of women – unattainable women, in this case, symbolized by the mermaids, with the power to ruin Prufrock’s entire world (‘till human voices wake us, and we drown’), and there is the imagery of Prufrock viewing himself, now miserable and old, white-flannel trousers, reduced to the inactivity that is rendered throughout the poem in such a way that he wonders ‘do I dare to eat a peach?’, Eliot’s poem can be sourced from his book Collected Poems 1909-1962. This analysis of literary devices shows that Eliot excels in using literary devices to grab the reader’s attention. But, the poem is not without either. A Character Analysis of J. Alfred Prufrock In “The Love Song of J. Alfred Prufrock,” T. S. Eliot uses imagery, language and metaphor to present Prufrock as a brooding, indecisive and vain man who is unwilling to do the things that would make his life more meaningful. Note the emptiness of the world: ‘oyster-shells,’ ‘sawdust restaurants’; everything is impermanent; everything is about to dissolve into nothing. In the room the women come and go ‘Do I dare / Disturb the universe?’ asks Prufrock, and then reassures himself again that ‘in a minute, there is time’, once more giving his decision a sense of heightened anxiety. You can read the full poem The Love Song of J. Alfred Prufrock here. Finally, there is a presence in the poem besides the voice of J. Prufrock – the women talking of Michelangelo. T.S. For example, in the line in which the speaker describes the yellow fog as a cat-like creature that rubs against the windows and walks in the shadows. Despite knowing what to say and how to express his love, he is hesitant. If one, settling a pillow or throwing off a shawl, T.S. Do I dare Eliot describes his remarkable work The Waste Land. And I have known the arms already, known them all— Among the porcelain, among some talk of you and me, It can be therefore read as the hasty rush of daily life, that no matter how much time there is, no matter how one thinks about it, there is always going to be enough. This is the crux of Prufrock’s emotions: emasculation, terror of the unknown, and an indecisiveness to whether or not he should dare.